ReleaseWire Connect

New appointment reflects Synthax’ commitment to expanding broadcast market, which is increasingly dependent on audio networking and streaming technologies

Premium German interface manufacturer RME, [InfoComm 2019 booth 5150], has announced an all-in-one audio bundle for professional podcasters looking to take their setups to the next level at an affordable price. Available now, with other configurations rolling out soon, the new Babyface Pro/Audio-Technica Podcast Bundle offers discriminating podcasters broadcast-quality sound and ultimate flexibility by combining RME's intuitive Babyface Pro audio interface and TotalMix FX mixing software with Audio-Technica's BP40 Condenser Microphone.

Synthax [InfoComm 2019 booth 5150], distributor of premium German interface manufacturer RME, German converter manufacturer Ferrofish and personal monitor mixer myMix, has announced at that it now distributing Switzerland-based Appsys Pro Audio to the U.S., Canada and Latin America, effective immediately. Synthax will highlight Appsys products at its booth 5150 during InfoComm 2019 from June 12–14, 2019, at the Orange County Convention Center in Orlando, Florida.

Stephen Bingen has recorded every performance of the Sacramento Choral Society & Orchestra (SCSO) for nearly 15 years as the owner of Sacramento-based Living Sound, a live sound reinforcement and location recording company. But near the end of last year, when it came time to record the holiday performance of the 150-voice SCSO for an upcoming CD release, Bingen and Living Sound's Head Engineer John Bologni were looking to upgrade their audio interface and turned to RME's Fireface UFX+ for its added inputs and its improved Direct USB recorder. An avid user of the UFX since his college days at University of California, Davis, Bologni has found the direct recorder function to be a total game changer.

Since 2012, Brandon Blackwell, owner of Blackwell Productions, LLC, has been putting his audio production expertise to work in a number of ways, from serving as FOH and monitor engineer for big-name acts like pop star Camila Cabello to providing support services for a wide range of venues, including TV specials, theatrical events, seminars and conferences.

Premium German interface manufacturer RME is pulling out all the stops at this year's NAMM Show, hosting appearances at its booth 14702 every hour by a range of top audio professionals and musicians who are shaping the future of their respective disciplines. Appearances will include film composer Adam Barber, Andy Grammer's FOH team, metal guitarist Michael Batio, legendary soul artist Ellis Hall, Icelandic drumming sensation Gulli Briem, Brazilian guitarist Lari Basilio and legendary bassist Chuck Rainey with veteran drummer John Martinez.

The tour’s front of house engineer John Gale and musical director Matt Robertson turn to the 128-channel MADI interface and RME’s TotalMix software for ease and rock-solid reliability during all 11 show dates

Synthax [InfoComm 2018 booth C1619], distributor of premium German interface manufacturer RME, will showcase its latest solutions designed to help users integrate on any network during InfoComm 2018 from June 6–8, 2018, at the Las Vegas Convention Center.

myMix, the personal monitor mixing and recording system ideal for on-stage performances and installed applications, will exhibit at Church Production Live! Events' Tribe Church Tech Team Development Summit in Dallas at Valley Creek Church's Flower Mound Campus on May 7–8. The two-day tech event digs into the tech arts ministry and features 25 sessions, 18 guest speakers, peer networking and product demonstrations.

When First Baptist Church of Everett in Everett, Washington, was built in the late 1960s, the main sanctuary was designed as a giant hall — allowing a speaker to preach from the pulpit and be heard clearly in the back of the sanctuary without any amplification. While this was a common design at the time, the removal of the pulpit and the introduction of floor monitors caused the sanctuary to become an acoustical nightmare.